How to survive a creative escape: it’s not all about how much you sleep, says the book’s author.
It’s not just about going to bed and getting up early, says artist Sarah Fruin.
It depends on how much sleep you have, she says.
And you might find yourself sleeping in the car for three hours straight.
That’s not good.
You’re going to have a lot of energy, Frui says.
You’re going on a journey.
And what if you get stuck?
You don’t have the energy to get out.
You can’t go to the park.
You just need a nap.
I don’t want to be stuck in my house because I’m just going to wake up and there’s nothing, Friesen says.
But I also don’t think you’re going home, she adds.
That’s why Fruins work at the intersection of design and performance.
Fruins has been drawing for more than 30 years, starting with the streets of Manhattan.
She is also a writer, director, producer, and teacher.
Friesen first learned to draw while teaching a workshop on art education.
“When you get really young, you get fascinated with things that you can do and the power that comes from them,” she says, “but then you also get bored and you want to do something else.”
The Art of the Escape Fruini’s book is not a book for beginners.
It has a lot to say about the art of escape and about how to survive creative escapes.
You don’t know what’s going to happen, Fricini says.
That means you don’t understand what’s happening in your head and what you’re seeing in your eyes.
I feel like I have a very different way of looking at things, she said.
I can’t just get in bed and just think about the end result, Frieri says, because the end product doesn’t exist.
It’s not what I want to see.
It has to do with how you look at things and how you react to the world around you.
It takes practice, she continues.
You have to be able to have your brain on autopilot.
That doesn’t mean that you’re never thinking about it.
It just means that you are.
And you can’t do that if you don